The 2021 Landscape Photographer of the Year (LPOTY) has now entered its 14th year, once again showing and celebrating the rich and diverse landscapes of the UK. From violent storms and turbulent seas to close-ups of the tranquil pleasures of misty woodlands and fascinating details of nature, the winning photos of this year's competition not only showcase the talents of the creators, but also inspire tourists to explore and discover the wonders of the English countryside.
With the beautiful shot of "Country Morning" taken in West Sussex, Mara Leite won the prestigious title and won the highest prize of £10,000 in this year's competition. Charlie Waite, the founder of the awards ceremony, said: “Under the gorgeous ring lighting and golden light on the top, the sense of security and protection that exudes from this exquisite photo is the same as a secret. Called to move forward.'
The title of Young Landscape Photographer of the Year was awarded to Evie Easterbrook because her photos taken in Southwold Harbour "joined the queue". Charlie Waite said: "The humor in this photo is subtly conveyed, reminiscent of an earlier time, perhaps in the 50s, and embraces classic Britain."
This year there are seven categories and special awards: Classic Landscape, Your Landscape, City Life, Black and White, Landscape Line Network Railway Award, Sunday Times Magazine History British Award and Light and Land Award Landscape Award Night, and Young LPOTY.
The finalist and award-winning LPOTY 2021 exhibition will premiere at London Bridge on November 15th and will last until January 9, 2022. The UK tour will follow. To view all the winners and winning entries of this year's annual landscape photographer contest, please visit www.lpoty.co.uk.
www.maraleitephotography.com, www.facebook.com/maralphoto, Instagram @maralphoto, Twitter @TheMNVL
Mara Leite, Canon EOS 5D Mark III, 70-300mm, 1/60sec at f/10, ISO 800
'Mill Lane is a famous trail in Harnack, West Sussex. When I decided to turn in another direction and saw this beautiful scene, I was looking for a different composition. I like the door in the background and how the morning light shines on the leaves and gently enters the tunnel.
1. Know the time of the day/year to shoot the subject and monitor the weather. I find that social media is a great tool for tracking the progress of the fall. 2. Light is very important; if you want to master the exposure, please learn how to read the histogram of the camera. 3. Don't overdo the post-processing. Make subtle changes to add drama and reflect your photography style and other works at the same time.
Evie Eastbrook. Sony DSC-HX400V, 24-210 mm, 1/2000 second, f/6.3, ISO 800
'I took this picture in Southwold Harbor, Suffolk. I was surprised to see seagulls in such an orderly queue!
1. Always keep the camera nearby. You can never be sure when something interesting will appear, or how long the theme will stay at its best. 2. Be patient. It is always worth taking the time to make sure you have the correct composition. Small adjustments in angle, composition, or lighting can make a big difference. 3. You don't have to be an expert. Although there is always more to learn, limited technical knowledge will not hinder you-enjoy your photographic work and don't worry about making mistakes.
Philip George. Fuji X-T30, 10-24 mm, 1/140 second, f/7.1, ISO 160
"I returned to Southampton from Birmingham. When the sky looked good, I decided to take a detour to the Chesterton Windmill. I have been there several times before, hoping for a good sky. This was taken very late in the afternoon. The Windmill There are quite a few predecessors, I want to find an angle to remove all the people in the photo.
Finally found a low viewing platform in the big wheat field, with only a trace leading to the windmill. I use a polarizing filter to deepen the blue sky and bring out wonderful clouds.
1. Go to a place often and spend time looking at it from a different perspective. You don't always want the same image as other people. 2. Go for a walk and find a place for yourself. Visit for the purpose of taking pictures. 3. I like to find the right sky above my head. At sunrise or sunset, from dawn to dusk, the changeable weather makes the British Isles a great place to take pictures.
www.buildingpanoramics.com, 500px @Miles Middlebrook
Miles Middlebrook. Canon EOS 5DS, 85 mm, 1/125 second, f/7.1, ISO 200
"I live in one of my favorite places, Skelwith Bridge, which is located next to the rather beautiful Brathay River. Thanks to my dog for letting me get up early. When the first rays of sunlight hit the river, the mist lifted from the water and hung in the bushes. In the middle, we saw a magical scene.
1. Imagine the type of image you want to capture, and then work hard to achieve it. 2. I avoid using wide-angle lenses because in my case, I often find that the main focus of the image is too small and insignificant in the frame. 3. Let people who you trust their judgment comment on your photos to make the most of your photographic work. In my case, I have my brother Mark, and I share the architectural panorama with him.
www.jameswhitesmith.co.uk, Instagram @james.whitesmith
James Whitesmith. Sony A7R II, 24-105 mm, 1/10 second at f/11, ISO 100
'As the rising sun began to illuminate the scene, traditional dry stone walls twisted and twisted across the fields below Malham Lings in the Yorkshire Dales. I arrived at the scene before sunrise, and the entire valley was filled with dense fog, but as time passed, it began to shift and retreat.
This particular scene caught my attention. Fortunately, the rotating mist revealed the bushes at the decisive moment, and the first direct light washed the landscape.
1. When you arrive at a location, don't just go straight to the obvious theme and composition. Take time to explore and experiment with different focal lengths and camera positions. 2. Sometimes a scene can change instantly, especially in changing weather or mist. Constantly adjust your composition as the light changes.
www.gettons.org, Instagram @gettons
Tommaso Carrara. Fuji X-T3, 35 mm, 1/250 second, f/1.4, ISO 160
"When a double-decker bus crossed the road, the silhouette of a man smoking a cigarette caught my attention, with a billboard behind it. For me, this trilogy of people, advertisements and traffic is One of the essence of this city.
1. Visualize the composition in advance and find a suitable background. This is usually the less dynamic part of the image, which is unlikely to change. 2. Once you are satisfied with the background, consider all the elements that can be added to the frame and whether they are static. Once all these elements are combined, take multiple shots, because you never know what will happen next.
Jason Hudson. Sony A7R III, 24-70mm
'Grisdale Parker, who climbed up the Lake District before dawn, was the background of this shooting. I noticed the light passing through the mist and thought it would form a striking image.
1. If you want to take dramatic photos in severe weather, but pay attention to the storm warning. Make sure that you and your camera are protected. 2. If you see good light, please write down the time and place. In the next few days, the situation may repeat. Go out and find the composition, and you may get the shot you want. 3. Observe the weather and try to predict the changes in rain and light. You can predict the position of rainbows before they appear, so start looking for composition before they appear.
Arthur Homewood. Fuji X-T2, 18-55 mm, 1/240 second at f/8, ISO 400
"Fog is my favorite shooting condition because of the minimalist composition and the way the background looks indefinitely. On Christmas Eve 2018, my family and I went for a walk in Sandton Sands, but when we arrived, the fog was filled The situation is different from anything I have seen on the beach before.
I moved towards the shoreline, and soon these children ran up to play in the shallow water. They made the perfect theme because they were full of energy and ran excitedly the next day.
1. Revisit the same location to familiarize yourself with the most effective conditions. 2. Although it is a landscape, don't be afraid to take candid photos of people; they give a good sense of scale.
Facebook/Instagram @tomaszrojekphotography, www.tomaszrojek.pl
Tomas Rojek. Canon EOS 5D Mark IV, 12-24 mm, 1/40 second, f/13, ISO 100
"This photo was taken during a trip to Scotland in May 2019. This is Dunnott Castle at sunrise. The person in the upper right corner shows the proportions of the landscape.
1. Landscape photography involves a lot of planning. You should clearly know where you are going and what time of day you can catch the best light. 2. The best light for landscape photography is usually during sunset and sunrise and about an hour later. Make sure you arrive early to find your shooting location, set up your camera and frame your scene. 3. Be patient and persistent. You will come back from many trips without interesting photos, but this shouldn't stop you from further expeditions.
www.fineart-landscapes.co.uk, Instagram @fineartlandscapes
Casey Medcalf. Hasselblad L1D-20c, 28 mm, 1/100 second, f/2.8, ISO 100
'Aerial view of the coal train in the train yard. I found this location on Google Earth and decided to do some research on it. I visited on the day the railway was closed, and I hope the train will be in the yard. The light and time of the day are also important, because I don't want shadows to overwhelm the main focus.
1. Always research the area you plan to shoot. Use Google Earth to find good views and beautiful areas of interest. 2. When shooting a subject, light is an important factor. Shooting in the "prime time" can create a sharp contrast with the shadows and help highlight details. 3. Find a unique perspective. Be creative and try different perspectives.
Ilex published the Landscape Photographer of the Year Series 14 on October 28. hardcover. 26 pounds.
2021 Landscape Photographer of the Year
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